rss_2.0Nordicom Review FeedSciendo RSS Feed for Nordicom Reviewhttps://sciendo.com/journal/NORhttps://www.sciendo.comNordicom Review 's Coverhttps://sciendo-parsed-data-feed.s3.eu-central-1.amazonaws.com/60077003fd113962cb04c0ac/cover-image.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Date=20221205T082709Z&X-Amz-SignedHeaders=host&X-Amz-Expires=604800&X-Amz-Credential=AKIA6AP2G7AKP25APDM2%2F20221205%2Feu-central-1%2Fs3%2Faws4_request&X-Amz-Signature=fe4b85f28a9c75cf968aad07f1d13373ef9914b7f24707736dc77e00e230f968200300Publishing, sharing, and spreading online news: A case study of gatekeeping logics in the platform erahttps://sciendo.com/article/10.2478/nor-2022-0012<abstract> <title style='display:none'>Abstract</title> <p>News dissemination online is driven by three gatekeeping logics: the gatekeeping logic of the news media (publishing), the gatekeeping logic of social actors (sharing), and the gatekeeping logic of platform algorithms (spreading), each guided by different values and with a different relationship to content. Using a reverse engineering approach, this study applies a 2015 dataset to empirically explore how a Facebook algorithm changed the overall composition of the news users saw, highlighting the ongoing issue of how the different gates and associated gatekeeping logics – especially that of platforms – influence news distribution. In contrast to previous studies, we find the relationship between news properties and the distribution of news online to be non-linear. Results point to Facebook's role in the overall composition of online news, both directly and in interaction with other gatekeepers. As news stories become more widely spread online, algorithmic logics take precedence over user behaviour and preferences.</p> </abstract>ARTICLE2022-10-15T00:00:00.000+00:00Can action research improve local journalism?https://sciendo.com/article/10.2478/nor-2022-0011<abstract> <title style='display:none'>Abstract</title> <p>This article considers the extent to which action research can help local stakeholders tackle the permanent technological disruption in the media sector by reshaping journalistic production practices with original design by examining a specific case. The INJECT Norway (Innovative Journalism: Enhanced Creativity Tools) project was part of an EU Innovation Action with partners that included universities, technology companies, business consultancies, and local newspapers. The objective was to design a new tool for creativity support in journalism and stimulate innovation competence through a business ecosystem. The article evaluates the collaboration between academics and local partners in the Norwegian ecosystem regarding the workability of the new designs and the credibility of the approach. The evaluation is written as a chronological narrative of the project's collaboration from optimistic beginnings to eventual failure. The main findings reveal a tension between the academic researchers and the local project partners. Despite these tensions, the article concludes with a hopeful note about the current action research ecosystem: harnessing the power of students to mediate the relationship between academics and local partners.</p> </abstract>ARTICLE2022-10-08T00:00:00.000+00:00Is news engagement worthwhile?: Studying young audiences’ engagement with YouTuber-like news contenthttps://sciendo.com/article/10.2478/nor-2022-0010<abstract> <title style='display:none'>Abstract</title> <p>While traditional media often fails to engage young audiences with news, YouTubers’ content gains popularity and attracts attention with specific stylistic practices. Based on dimensions of audience engagement and a worthwhileness approach, this article examines how young audiences engage with YouTubers’ formats and genres used in news media products. Findings of five focus group interviews with Estonian teenagers show that while specific dimensions of engagement may increase due to a more relatable format, interest in traditional news content remains limited regardless of repackaging to a YouTube-intrinsic production. This article contributes to audience studies by demonstrating to news organisations that trying to engage younger audiences through mere formatting while forgetting content might not be worthwhile. However, making news more entertaining and adopting the youth's interpretation of what news <italic>is</italic> could prime young audiences to consume news through social media.</p> </abstract>ARTICLE2022-08-31T00:00:00.000+00:00Digital media innovations through participatory action research: Interventions for digital place-based experienceshttps://sciendo.com/article/10.2478/nor-2022-0009<abstract> <title style='display:none'>Abstract</title> <p>This article presents an action-research study investigating a spatially sensitive innovation process of place-based experiences in a rural area of Sweden. Lately, there have been a growing number of initiatives focused on developing location-aware mobile media – geomedia technologies – to offer place-based digital experiences within tourism. Drawing on contemporary critical studies on geomedia technologies, we stress the importance of reflecting upon the implications of place-based technologies to minimise both the negative impacts on a place and the neglect of local perspectives. We conducted action-research interventions to unpack the complexity of developing place-based mediated experiences. The study makes an illustrative case of how interventions lead to more nuanced development processes of geomedia technologies while simultaneously fostering creativity. We argue that as action research allows researchers to intervene in media innovations, it identifies models for more nuanced place-based development processes, including local spatial and sociocultural perspectives.</p> </abstract>ARTICLE2022-06-29T00:00:00.000+00:00Book Reviewshttps://sciendo.com/article/10.2478/nor-2022-0008ARTICLE2022-05-29T00:00:00.000+00:00“How is he entitled to say this?”: Constructing the identities of experts, ordinary people, and presenters in Swedish television series on climate changehttps://sciendo.com/article/10.2478/nor-2022-0007<abstract> <title style='display:none'>Abstract</title> <p>In this article, we analyse mediated representations of elite and non-elite voices about climate change, by juxtaposing two Swedish non-fiction television series: one narrates the work of environmental scientists, the other discusses climate change with diverse citizens in a vox pop format. We argue that the discursive practices of these programmes reproduce the antagonistic subject positions of experts and ordinary people, allocating them radically different positions of power in relation to climate change. Whereas the experts are presented as actors of change with the knowledge to solve the crisis, ordinary people are shown as passive recipients of advice and moral judgment, in need of change. In addition, we highlight the role of media professionals in these articulations. The article shows how these subject positions support persuasionist strategies, but also how the elite/non-elite juxtaposition tends to exclude the latter from a meaningful engagement on equal terms.</p> </abstract>ARTICLE2022-04-25T00:00:00.000+00:00Podcasting about yourself and challenging norms: An investigation of independent women podcasters in Denmarkhttps://sciendo.com/article/10.2478/nor-2022-0006<abstract> <title style='display:none'>Abstract</title> <p>This article investigates why and how women use independent podcasting and social media platforms to challenge norms afflicting their own personal lives. Extending previous studies of independent podcasting as a tool of empowerment, this article analyses semi-structured interviews with the hosts of two podcasts: the mental health and personal journals podcast <italic>A Seat at The Table</italic> and the parenting podcast <italic>Our Different Family</italic> [<italic>Vores Anderledes Familie</italic>]. The podcasts are norm-challenging but, at the same time, illustrative of a gendered podcasting sphere in which women primarily podcast about what has traditionally been considered female domains, such as mental health, personal journals, and parenting. The study finds that podcasting’s lack of visuals and unrestricted, conversational format allow for creating and distributing in-depth realisations about personal norm-challenging issues. Simultaneously, it finds that the participatory affordances of social media platforms are essential for receiving feedback, content ideas, and emotional support from like-minded listeners when the podcasters challenge oppressive norms.</p> </abstract>ARTICLE2022-04-11T00:00:00.000+00:00Public AI imaginaries: How the debate on artificial intelligence was covered in Danish newspapers and magazines 1956–2021https://sciendo.com/article/10.2478/nor-2022-0004<abstract> <title style='display:none'>Abstract</title> <p>This article investigates the media's construction of public perceptions of future human–machine relationships related to artificial intelligence (AI) development and reflects on how such perceptions play a role in shaping strategies for the use of AI in Denmark. Through a critical discourse analysis of 253 newspaper and magazine articles published from 1956 to 2021, it shows how conflicting discursive positions are constructed, representing what I refer to as public AI imaginaries. The analysis shows that newspapers and magazines tend not to distinguish between futuristic descriptions of the human–machine relationship of AI and the human-centred principles of intelligence amplification (IA). Furthermore, it demonstrates how principles of IA are reflected in the Danish strategies for AI in practice. While the discursive ambiguity has fuelled public debate, it leaves the term AI relatively vague, thereby creating uncertainty rather than possibilities for a form of human-centered AI in empirical reality.</p> </abstract>ARTICLE2022-03-12T00:00:00.000+00:00Television documentaries as spearheads in public service television: Comparing scheduling practices on the linear channels and video-on-demand services of Danish TV 2 and DRhttps://sciendo.com/article/10.2478/nor-2022-0005<abstract> <title style='display:none'>Abstract</title> <p>This article presents findings from a study of how the public service television (PSTV) companies DR and TV 2 in Denmark are changing their scheduling practices to address the competition from transnational streaming services. We focus on a comparative analysis of how television documentaries are scheduled and argue that the documentary genre is part of an editorial prioritisation of productions with high degrees of linguistic and national proximity targeting a mainstream audience. Furthermore, we argue that new scheduling practices support a merger of linear and non-linear modes of watching television indicative of a transformation in which the video-on-demand (VoD) services are the new entry points to PSTV. This transformation might be a vital part of how Nordic PSTV companies adapt to the changes in the television industry and to new viewing habits.</p> </abstract>ARTICLE2022-03-12T00:00:00.000+00:00“Not quite the struggle of normatives”: Belonging and entitlement in Swedish “body activism”https://sciendo.com/article/10.2478/nor-2022-0003<abstract> <title style='display:none'>Abstract</title> <p>A “body activism” movement, with roots in fat activism and body positivity, has developed in Sweden during the last decade. As new forms of activism emerge, boundaries and approaches are being negotiated. Who is the movement for? Who can engage in it, and how? Through semi-structured interviews, we seek to understand how young Swedes who follow and engage in “body activism” on social media experience and reflect on the activism, belonging and entitlement, and their own participation. The informants discussed activism in terms of inclusiveness and political potential, where the most accessible activism is also the one ascribed with the least political potential. Entitlement is linked to collective identity, where an active participation requires belonging to the marginalised group. This article highlights the significance of boundary work in movements, where too narrowly drawn boundaries can lead to decreased participation and result in an unexploited potential for social change.</p> </abstract>ARTICLE2022-02-11T00:00:00.000+00:00Media narratives, agonistic deliberation, and : An analysis of how young people communicate in digital spaceshttps://sciendo.com/article/10.2478/nor-2022-0001<abstract> <title style='display:none'>Abstract</title> <p>Increasingly, the means of engaging young people in constructive public debate and democratic society has shifted to online digital media platforms. This assumes that participants have the necessary media literacy skills to engage in a meaningful way. We discuss how and to what extent responses in an online blog elicited by two different scenes from the popular youth television series <italic>Skam</italic> [<italic>Shame</italic>] demonstrate agonistic deliberation and media literacy in digital dialogue spaces. Our study includes an analysis of the rhetorical characteristics of the dialogues; the mapping of key themes that characterise reactions of blog commentators in the online discussions; and a discussion of the characteristics of – and degree of deliberation in – online comments. We propose that narratives which employ agonistic deliberation around pertinent social themes are most likely to encourage and elicit public engagement that moves beyond emotional outbursts, reflecting a deeper consideration of the themes and topics.</p> </abstract>ARTICLE2022-02-10T00:00:00.000+00:00Migration and community in an age of digital connectivity: A survey of media use and integration amongst migrants in Icelandhttps://sciendo.com/article/10.2478/nor-2022-0002<abstract> <title style='display:none'>Abstract</title> <p>Information and communication technologies enable migrants to maintain bonds with multiple communities. Little is known about the association between migrants’ connections to their country of origin and different integration practices in online and offline communities in the receiving society. We draw on a survey conducted amongst migrants in Iceland (<italic>N</italic> = 2,139) and conduct three regression analyses to identify determinants of migrants’ use of media and social media from their country of origin. Contrary to other studies, we do not find evidence of reactive transnationalism (i.e., migrants seeking out connections to their places of origin due to dissatisfaction with life in the receiving society) as a response to negative attitudes towards the receiving society. We identify distinct patterns of online and offline integration: Migrants with frequent contact with their countries of origin are less integrated locally in terms of offline activities. However, they are more integrated in digital communities of the receiving society, and use receiving-country media more frequently, thus following a strategy of digital biculturalism.</p> </abstract>ARTICLE2022-02-10T00:00:00.000+00:00The Visual Power of News Agencieshttps://sciendo.com/article/10.1515/nor-2017-0412<abstract><title style='display:none'>Abstract</title><p>While staff photographers are losing their jobs, news agency networks have become main suppliers of visual content to the news media. A global news site such as the Guardian leans to news agencies for most of its selected visuals. In tandem with the expanding visual power of new agencies, the ethical standards of the wholesalers are challenged by increasing amounts of user generated content, distant editing, and the live-streaming of breaking news. This article discusses editorial dilemmas prompted by proliferate, high tech processing of visual content by the news agencies’ global networks, exemplified by the coverage of terrorism. The analysis is grounded in a variety of empirical data, and aspects of Manuel Castells’ theory on communication power provide a theorizing framework for the discussion. The study suggests that the visual power of today’s news agencies rests on three interconnected processes of handling imagery: agency infrastructuring, technological infrastructuring and global newsroom infrastructuring.</p></abstract>ARTICLE2017-11-28T00:00:00.000+00:00A Faster Kind of Photojournalism?https://sciendo.com/article/10.1515/nor-2017-0413<abstract><title style='display:none'>Abstract</title><p>This article examines factors influencing the editorial processing of photographs, the impact of photojournalistic practices on those processes as well as perceptions of images. Perspectives on visual gatekeeping and the news value of photographs were applied to a newsroom and interview study with a specific focus on photographs for the main news section of a Swedish newspaper. Findings identified routines, publication formats and resources as key factors, with some challenges posed by mobile publication formats and a focus on routine news. Photo editors were found to have a key function asserting expertise in a shared and interactive process. Yet changing routines and a reduced visual expertise on weekends were found to result in some lower image quality. While the ‘observed moment’ appeared to remain a photojournalistic ideal among visual gatekeepers, there were divergent perceptions found of the current and future functions of the news photograph.</p></abstract>ARTICLE2017-11-28T00:00:00.000+00:00Photojournalism in Central Europehttps://sciendo.com/article/10.1515/nor-2017-0411<abstract><title style='display:none'>Abstract</title><p>The adoption of digital technologies, along with current economic realities, has affected the entire process of visual news production. It has also influenced the traditional concept of photojournalism. As a result, news photographers face multiple new challenges. Although visual news material is becoming ever more important, news organizations have cut back on employment, leaving those few who remain employed with additional workload and responsibilities. Based on interviews with photojournalists and photo editors, this article examines the current state of photojournalism and editorial processes in three Central European countries – the Czech Republic, Poland and Slovakia. Findings indicate that photojournalists and photo editors face ongoing developments in the photographic medium that significantly affect their working practices and routines. At the same time, they must deal with increasing workload, new responsibilities, competition and the challenges of maintaining quality in the digital age.</p></abstract>ARTICLE2017-11-28T00:00:00.000+00:00The Iconic Image in a Digital Agehttps://sciendo.com/article/10.1515/nor-2017-0415<abstract><title style='display:none'>Abstract</title><p>This article investigates selected newspapers’ editorial mediations over contrasting perceptions regarding the significance of a controversial set of ‘iconic’ news photographs, namely images of Alan Kurdi, a three-year-old Syrian refugee, whose drowned corpse washed ashore in September, 2015. Specifically, this study examined individual editorial items, published by leading Danish, Canadian and British newspapers over a four-month period, engaging with and reflecting upon this imagery. Our analysis revealed several key deliberative features of editorial self-reflexivity, with three especially salient themes shown to be emergent across the coverage: a) instantaneousness and historical photographic precedents; b) social media’s perceived influence on photojournalism; and c) normative associations of affective qualities for this imagery. By elucidating these features of editorial self-reflexivity within a convergent digital media ecology, this article offers original insights into how and why the epistemic values governing visual communication are being reconsidered and redrawn under pressure from institutional imperatives.</p></abstract>ARTICLE2017-11-28T00:00:00.000+00:00Introduction: Photojournalism and Editorial Processeshttps://sciendo.com/article/10.1515/nor-2017-0410ARTICLE2017-11-28T00:00:00.000+00:00Crisis, What Crisis?https://sciendo.com/article/10.1515/nor-2017-0416<abstract><title style='display:none'>Abstract</title><p>As in most countries, Norwegian and Danish media houses struggle to adjust to new technological, economic and political realities. Photo departments have seen their budgets cut and people have been let go. It looks, however, as if the organisational response to the crisis is more nuanced than it may seem at first glance. We have examined three media organisations, with a reputation for an above average interest in photojournalism, through the filter of organisational psychology. By looking at the conjunction between organisational culture, the present climate, and what we may call visual editorial competence, which relates to a photo department’s relative power within the organisation, we try to shed some light on when and why photo departments are able to implement their own crisis management and thus influence their own situation. Our findings suggest that photo departments with a strong culture are more resilient to a climate marked by disruptive change. The overall visual editorial competence does, however, impact their manoeuvring space within the organisation.</p></abstract>ARTICLE2017-11-28T00:00:00.000+00:00Perceptions of Social Mediahttps://sciendo.com/article/10.1515/nor-2015-0017<abstract> <title style='display:none'>Abstract</title> <p>While observers have focused on the political use of social media when exploring their democratic potential, we know little about users’ perceptions of these media. These perceptions could well be important to understanding the political use of social media. In exploring users’ perceptions, the article asks whether politicians and voters view social media in a similar way, and to what extent they consider social media to be an apt arena for political communication. Within a Norwegian context, which may prove useful as a critical case, and using the technological frames model, we find that although voters’ and politicians’ opinions are not that dissimilar overall, politicians are more likely to recognize the political communicative role of social media. However, social media do indeed have the potential to become arenas for political mobilization among groups that traditionally are less visible in political arenas.</p> </abstract>ARTICLE2015-10-29T00:00:00.000+00:00After the Performancehttps://sciendo.com/article/10.1515/nor-2015-0016<abstract> <title style='display:none'>Abstract</title> <p>In May 2010, the Best Party won the municipal elections in Reykjavik, and the party’s leading figure, comedian Jón Gnarr, was appointed Mayor of Reykjavik. During the election campaign, the party ‘performed democracy’ by playing with irrational, satirical discourses that challenged traditional discourses within political public spheres. Soon after his inauguration, Gnarr began a Facebook page called ‘The Mayor’s Diary’ on which he wrote openly about the challenges faced by a newcomer to politics. Approximately 10% of the Icelandic population follows his profile. This article presents an analysis of the communication conducted on the Mayor’s Diary, particularly of how Facebook as a media environment conditions the Mayor’s performative manoeuvres and, correspondingly, how the subversive discourses galvanised in the election campaign can begin ricocheting back when discussions move from cultural public spheres to political public spheres.</p> </abstract>ARTICLE2015-10-29T00:00:00.000+00:00en-us-1